Loneliness, Act Two
Zürich, 2025
On the orbit of nectar
Zürich, 2025
A boy stands between two trains. One has left. The other hasn’t arrived yet.
This world keeps running, as if something might escape it. But the things that matter most don’t run. They sit quietly, watching, breathing.
There was a boy..
In the shadow of walls, with the shadow of wings.
Together
The Photography of Gosia Kaminska: “A Tender Record of Being”
Silence. Light. Space. Transience.
These are the four elements from which Gosia Kaminska composes her images – quiet, profound, filled with melancholy and inner radiance. Her work is not photography in the traditional sense – it is visual poetry, where each frame becomes a form of contemplation and a vessel for emotion.
Gosia doesn’t document the world – she feels it. She photographs not what is visible, but what remains. She captures what is slipping away – a sunbeam on a windowsill, the shadow of a tree on a wall, a puddle’s reflection, a lonely tram at the crossroads. She observes the world like a tender witness: without haste, without judgment, with gentleness and humility toward the moment.
In her frames, nature and city motifs appear not as opposites, but as complements. Water and glass, leaves and walls, sky and overhead wires. Nothing is accidental – everything has its rhythm and inner harmony. Light plays the role of narrator – weaving stories from shadows, flares, and soft transitions. It is often not just an aesthetic element, but a metaphysical one – as if whispering: “This happened. This endured. This mattered.”
Characteristic of her work is an aesthetic of silence – images free from noise, harsh contrasts, or aggressive visual devices. Instead, they offer space to breathe, to see the world with presence and tenderness. In this silence, one may find themselves – or just as easily, gently lose their way for a moment.
Part of her language lies also in words – her own texts, appearing as visual fragments of poetry, often layered on watercolor textures or minimalist compositions. These are not explanations, but resonances – not definitions, but reflections that meet the viewer on an emotional plane.
“I edit feelings, not just images,” she says. And truly – her photographs are not digital edits, but emotional translations. Each frame is a trace of feeling, an echo of wonder, sometimes a shadow of solitude or the warmth of a memory.
For Gosia, photography is not a tool of promotion, but a form of presence. She doesn’t look through the lens to find the perfect composition – she looks to capture something real.
The quiet. The unnoticed.
The moments that slip by too easily.
Her gaze is a gentle reminder that beauty doesn’t always shout – most often, it simply is.
You just have to learn how to see it.